Two New Prints Now Available — Two More Soon to Come
I’m excited to tell you about two new images I’ve added to VaughnArt Editions, my line of fine art giclee reproductions. The first offering is an Italian landscape, in Tuscany. It’s titled An Evening in Tuscany. Like all VaughnArt Editions it comes with a money back guarantee, with free shipping. This image shows, especially well, I think, the wonderful, golden light one experiences in many parts of Italy. House with a Red Roof near Greve is another of my new prints. The original oil on canvas shows a small villa set snugly in a lush area of vegetation. The intense green of the plantings and the bright red-orange roof of the house immediately attracted me and I made sketches and photographs on site. I made the painting in my studio when I returned from Italy. This print is a faithful reproduction of the original.
Before the summer is over I will add two more images to my line of fine art giclee prints. A View from the Villa was done from drawings and oil sketches made when I was in Italy most recently. I lived here, the Villa Rignana in Umbria, for three weeks and I looked at this scene each afternoon from the patio. This will soon be available as a print. Also being added this summer is a print of a different kind of painting. This one, Chair on Sally’s Patio, is typical of a quiet moment on a friend’s patio during a hot, southern, summer afternoon, when people with any sense are inside, sipping iced tea in air-conditioned comfort. It will be available in two sizes, and as with all my products, will be shipped to you free, with your satisfaction guaranteed. Check the news link often and I will post the publication dates for these two anticipated new prints.
“Highly realistic, Vaughn’s figural works are models of technical virtuosity, a testament to her excellent and solid grasp of anatomy. But it is the artist’s commitment to delve into the psychological, into the cryptic realm of mental patterns, which produces compelling emotional connections between the work and the viewer.”
— Carolyn Schrager