Education
1974-1976 |
University of Alabama, Huntsville, AL |
1963-1964 |
Bachelor of Arts, University of Alabama, Tuscaloosa, AL |
1960-1963 |
Howard College, Birmingham, AL |
Selected Solo Exhibitions
September-October, 2002 |
Images of Italy |
February-March, 1999 |
Helen J. Vaughn: Recent Paintings |
June 1997 - September 1998 |
Inhabited Places: Recent Works by Helen J. Vaughn |
June 22 - August 10, 1997 |
R. S. Barnwell Memorial Garden and Art Center |
October 26 - December 14, 1997 |
Kennedy-Douglass Center for the Arts |
December 28 - February 22, 1998 |
Maitland Art Center |
May 3 - June 21,1998 |
Huntsville Museum of Art |
August 8 - September 20, 1998 |
Wiregrass Museum of Art |
Selected Group and Invitational Exhibitions
September13-November 16, 2003 |
2003 Appalachian Corridors Juried Exhibition |
April 27-May 10, 2002 |
The Wonders of Alabama Art |
November, 2000-January, 2001 |
The Red Clay Survey |
September, 2000 |
Pastel Society of America |
March-April, 2000 |
Pastel Society of North Florida |
Awards and Distinctions
2002 |
Feature article: May/June Pastel International |
2001 |
Juror |
1999 |
Adjudication Panel, Indianapolis Arts Council Feature article: November, 1998 American Artist |
1988-1989 |
Statehouse Renovation Project |
1989 |
Poster Artist |
1987 |
Peer Review Adjudication Panel |
1985 |
Individual Artist in Visual Art Grant Winner |
1984 |
Nomination for Awards in the Visual Arts |
1981 |
Symposium: The Ties That Bind |
Permanent Collections
|
The White House, Washington, DC |
|
The Wiregrass Museum of Art, Dothan, AL |
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The Huntsville Museum of Art, Huntsville, AL |
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University of Alabama, Huntsville, AL |
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Alabama Center for Commerce, Montgomery, AL |
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BellSouth, Birmingham, AL |
|
Alabama State Arts Council |
|
Alabama State Bar Association |
|
Health South Corporation |
“It has been said about Vaughn’s figurative work that it has a feminist slant. If this means not only a focus on images of women, but on the psychological truth of being female in today’s society, that message has always been reflected in deceptively ordinary images in Vaughn’s work.”
— David M. Robb
